Nathaniel Dorsky Movies

17 Reasons Why was photographed with a variety of semi-ancient regular 8 cameras and is projected unslit as 16mm. The four image format gives a look...

Triste is an indication of the level of cinema language that I have been working towards. By delicately shifting the weight and solidity of the...

The first of two devotional songs. Part One of a set of Two Devotional Songs. “The Visitation” is a gradual unfolding, an arrival so to...

Perhaps the most delicately tactile in the series of four cinematic songs, Love's Refrain rests moment to moment on its own surface. It is a coda in...

The Kodachrome Dailies consist of all the Kodachrome footage chosen to be worked with to make the film Song and Solitude during years 2005 and 2006....

Dorsky’s three earliest works (made when he “entered the realm of poetic filmmaking as an active maker”), all sound films, with...

Dorsky’s three earliest works (made when he “entered the realm of poetic filmmaking as an active maker”), all sound films, with...

Dorsky’s three earliest works (made when he “entered the realm of poetic filmmaking as an active maker”), all sound films, with...

Arbor Vitae is a gesture towards a cinema of pure being. Its atmosphere is haunted by the period in which it was shot, the year of 1999. Although the...

Warren Sonbert described Divided Loyalties as a film 'about art vs. industry and their various crossovers.' According to film critic Amy Taubin,...